《議藝份子》第十四期
李亦梅
Lee, Yi-Mei
從中國蘇州版畫與日本浮繪、眼鏡繪作品看中、日美術交流
From Suzhou Woodblock Prints, Japanse Ukie and Glass Painting Works to Discover Art Exchanges between China and Japan.
關鍵字蘇州版畫(Suzhou woodblock prints)、浮繪(Ukie)、眼鏡繪(Glass painting
 
楊婉瑜
Yang, Wan-Yu
清乾隆宮廷畫師——金廷標繪畫研究
The Study of Qianlong’s Court Painter: Jin, Ting-Biao.
關鍵字金廷標(Jin Ting-Biao)、清代繪畫(Qing dynasty painting)、宮廷繪畫(court painting
 
林芝禾
Lin, Chih-Ho
歡宴狂醉中的無政府革命——試析James Ensor的嘉年華圖像
The Revellers of Revolution: James Ensor's Carnival Paintings.
關鍵字James Ensor、巴赫汀(Bakhtin)、嘉年華(Carnival
 
顧志揚
Kou, Chih-Yang
羅普斯作品中的反教權意涵與生命寓意
Works of Félicien Rops: The Anti-Clerical Connotation and the Life Implication derived from Gender.
關鍵字頹廢派(The Decadents)、致命女人(Femme Fatale)、厭女(Misogyny
 
黃韻璇
Huang, Yun-Hsuan
看見「藝術史」:C. L. Eastlake的視野與英國國家藝廊
Seeing “Art History”: Charles Lock Eastlake's Vision and National Gallery, London.
關鍵字國家藝廊(National Gallery London)、藝術史(art history)、 Eastlake、早期大師(primitives
 
張慈倫
Chang, Tzu-Lun
N. Goodman“Reality Remade”討論“The Great Hippias”的時序邏輯
Discussing the temporal logic of “The Great Hippias” in Nelson Goodman’s “Reality Remade.”
關鍵字隱喻(metaphor)、美(beauty in itself & the beautiful)、一與多(one vs. two
 
張玉萱
Chang, Yu-Hsuan
神殿裡的繆思——Thomas Struth 的《博物館攝影》
Thomas Struth’s Museum Photographs
關鍵字湯瑪士史特魯斯(Thomas Struth)、博物館(museum)、攝影(photographs
 
吳家瑀
Wu, Chia-Yu
日常與陌生的交替——Philip-Lorca diCorcia的攝影初探
The Alternation Between Routine and Strangeness: Primary Exploration on Philip-Lorca diCorcia.
關鍵字Philip-Lorca-diCorcia、電影感(cinematic)、吸納性(obsorption
 
莊憶萱
Jhuang, Yi-Syuan
初探Sophie Calle與佛洛伊德說的《真實故事》
Remarks on Sophie Calle's True Stories in her Appointment with Sigmund Freud.
關鍵字藝術家的書(livre d'artiste)、自傳契約(le pacte de l'autobiographique)、攝影與文本(phototextuality
 
梁云繻
Liang, Yun-Ju
女王的新衣——初探郭慧禪、林欣怡的扮裝自拍攝影
The Queen's New Clothes: The Study of Hui-Chan Kuo and Hsin-Yi Lin's Dress-up and Self-shooting Works of Photography
關鍵字數位攝影(digital photography)、扮裝自拍(dress-up and self-shooting)、 酷兒(queer