Permanent
Professor
Office： Liberal Arts Building #2 LS-311
Tel： (03)4227151 ext 33034
E-mail：cchsieh@ncu.edu.tw
Field of Specialty
History of British Art,17th- & 18th-Century European Art History,History of Collecting and Display,Print Culture,Art Historiography
Education
2008.4
DPhil, Department of the History of Art, University of Oxford
2003.6
MSt, Department of the History of Art, University of Oxford
2000.1
MA in Art History, Graduate Institute of Art Studies, National Central University, Taiwan
1996.6
BA in English Literature, Department of Foreign Languages and Literatures, National Taiwan University, Taiwan
Experience
2025.8 -
Director, Center for Humanities and Arts
2023.8 - 2024.7
Associate Dean, College of Liberal Arts, NCU
2023
NCU Distinguished Professor
2020.7 - 2023.1
Editor-in-chief, Journal of Art Studies
2013.8 - 2022.7
Associate Professor, Graduate Institute of Art Studies, National Central University
2022
NCU Outstanding Research Award
2021
NCU Outstanding Research Award
2019
NCU Outstanding Teaching Award
2008.8 - 2013.7
Assistant Professor, Graduate Institute of Art Studies, National Central University
Publications
2024
"The National Gallery's Vision of the History of European and British Painting," in Masterpieces From the National Gallery Guidebook, Tainan: Chimei Museum (May 2024), pp. 12-15. (in Chinese)
2024
"From Private to Public: Art Museums Showcasing Private Collections," in Art Accrediting, no.102 (June 2024), pp. 48-57. (in Chinese)
2024
"The Ecosystem of Urban Art Museums from the Perspective of Art History," in Taoyuan Contemporary Art, no.1 (June 2024), pp. 18-25. (in Chinese)
2023
"Chinoiserie and Beyond: Chinese Landskips and Printed Views in Eighteenth-Century British Geography Books," Eighteenth-Century Studies 56: 4 (Summer 2023), pp. 519-547. (AHCI)
2023
"Critical Years in the Development of the British School: Reynolds and His Art World," in Jeng-Guo Chen (ed.), 1723: Viewing the World History Through 11 Windows (Taipei: Linking, 2023), pp. 302-341. (in Chinese)
2022
"Collecting, Circulation, Display and Dissemination: Some Observations on the Approaches of Western Art History Research Since the Late Twentieth Century," Journal of Art Studies 29 (2021.12), pp. 1-70.
2021
"Constructing Landscape Vision: Exploration of the Context of Landscape Paintings from the Collection of TMoFA," in A Compilation of Classics: 2020 Research on Taoyuan Museum of Fine Arts' Oil Painting and Watercolor Collection (2021.5), pp. 65-107.
2021
" 'Seeing' Works of Art: The Development of the Illustrated Art Book in Britain from the Late Eighteenth to Early Nineteenth Century, " Taida Journal of Art History (台大美術史研究集刊) 50 (2021.3), pp. 223-286+290.
2020
"The Progress of Arts: The London Society of Arts and Its Promotion of the Polite Arts in the Second Half of the Eighteenth Century," Journal of Art Studies (藝術學研究), 26 (Jun. 2020), pp. 57-142.
2019
“ 'Our National Taste for Whatever is Beautiful in Nature, or Classical in Art: Shaping the Image of Country Houses in 18th- and 19th-Century English Print Culture," Journal of Art Studies (藝術學研究), 25 (Dec. 2019), pp. 1-91. (in Chinese)
2016
"Changing Views of Gainsborough's Landscape Painting: A Historiographical Investigation," New History (新史學), 27:2 (Jun. 2016), pp. 151-235. (in Chinese)
2013
“The Emergence and Impact of the ‘Complete Drawing Book’ in Mid-Eighteenth-Century England,” Journal for Eighteenth-Century Studies, 36: 3 (2013), pp. 395-414.
2012
"Towards Rehabilitating 'Religious Art' in Eighteenth-Century England: Defending Raphael's Cartoons and Religious Images," EurAmerica, 42:3 (September 2012), pp. 535-590. (in Chinese)
2010
"The Embodiment of Design, the Grammar of Painting: The Changing Concept of Drawing and its Significance in Early Modern England," New History (新史學), 21:4 (Dec. 2010), pp. 57-139. (in Chinese)
2009
"Publishing the Raphael Cartoons and the Rise of Art-historical Consciousness in England, 1707-1764," The Historical Journal (Cambridge, UK), 52:4 (2009), pp. 899-920.
2008
DPhil Thesis: Towards the Construction of an Artistic Canon: Publishing Painting in England, c.1660-1760s.
Courses
MA courses:
Special Topics on Seventeenth-Century European Art
Special Topics on Eighteenth-Century Art
History of Art Collecting and Display in Europe
Special Topics on Print Culture
Art History Theories and Methods
Special Topics on British Art and Society
Undergraduate Courses:
Introduction to Arts and Visual Culture
Visual Arts - Western Arts
History of Western Art II
Art and Society
Art Museums in History and Practice
Professor
Office： Liberal Arts Building #2 LS-311
Tel： (03)4227151 ext 33034
E-mail：
cchsieh@ncu.edu.tw
Field of Specialty
History of British Art,17th- & 18th-Century European Art History,History of Collecting and Display,Print Culture,Art Historiography
Education
2008.4
DPhil, Department of the History of Art, University of Oxford
2003.6
MSt, Department of the History of Art, University of Oxford
2000.1
MA in Art History, Graduate Institute of Art Studies, National Central University, Taiwan
1996.6
BA in English Literature, Department of Foreign Languages and Literatures, National Taiwan University, Taiwan
Experience
2025.8 -
Director, Center for Humanities and Arts
2023.8 - 2024.7
Associate Dean, College of Liberal Arts, NCU
2023
NCU Distinguished Professor
2020.7 - 2023.1
Editor-in-chief, Journal of Art Studies
2013.8 - 2022.7
Associate Professor, Graduate Institute of Art Studies, National Central University
2022
NCU Outstanding Research Award
2021
NCU Outstanding Research Award
2019
NCU Outstanding Teaching Award
2008.8 - 2013.7
Assistant Professor, Graduate Institute of Art Studies, National Central University
Publications
2024
"The National Gallery's Vision of the History of European and British Painting," in Masterpieces From the National Gallery Guidebook, Tainan: Chimei Museum (May 2024), pp. 12-15. (in Chinese)
2024
"From Private to Public: Art Museums Showcasing Private Collections," in Art Accrediting, no.102 (June 2024), pp. 48-57. (in Chinese)
2024
"The Ecosystem of Urban Art Museums from the Perspective of Art History," in Taoyuan Contemporary Art, no.1 (June 2024), pp. 18-25. (in Chinese)
2023
"Chinoiserie and Beyond: Chinese Landskips and Printed Views in Eighteenth-Century British Geography Books," Eighteenth-Century Studies 56: 4 (Summer 2023), pp. 519-547. (AHCI)
2023
"Critical Years in the Development of the British School: Reynolds and His Art World," in Jeng-Guo Chen (ed.), 1723: Viewing the World History Through 11 Windows (Taipei: Linking, 2023), pp. 302-341. (in Chinese)
2022
"Collecting, Circulation, Display and Dissemination: Some Observations on the Approaches of Western Art History Research Since the Late Twentieth Century," Journal of Art Studies 29 (2021.12), pp. 1-70.
2021
"Constructing Landscape Vision: Exploration of the Context of Landscape Paintings from the Collection of TMoFA," in A Compilation of Classics: 2020 Research on Taoyuan Museum of Fine Arts' Oil Painting and Watercolor Collection (2021.5), pp. 65-107.
2021
" 'Seeing' Works of Art: The Development of the Illustrated Art Book in Britain from the Late Eighteenth to Early Nineteenth Century, " Taida Journal of Art History (台大美術史研究集刊) 50 (2021.3), pp. 223-286+290.
2020
"The Progress of Arts: The London Society of Arts and Its Promotion of the Polite Arts in the Second Half of the Eighteenth Century," Journal of Art Studies (藝術學研究), 26 (Jun. 2020), pp. 57-142.
2019
“ 'Our National Taste for Whatever is Beautiful in Nature, or Classical in Art: Shaping the Image of Country Houses in 18th- and 19th-Century English Print Culture," Journal of Art Studies (藝術學研究), 25 (Dec. 2019), pp. 1-91. (in Chinese)
2016
"Changing Views of Gainsborough's Landscape Painting: A Historiographical Investigation," New History (新史學), 27:2 (Jun. 2016), pp. 151-235. (in Chinese)
2013
“The Emergence and Impact of the ‘Complete Drawing Book’ in Mid-Eighteenth-Century England,” Journal for Eighteenth-Century Studies, 36: 3 (2013), pp. 395-414.
2012
"Towards Rehabilitating 'Religious Art' in Eighteenth-Century England: Defending Raphael's Cartoons and Religious Images," EurAmerica, 42:3 (September 2012), pp. 535-590. (in Chinese)
2010
"The Embodiment of Design, the Grammar of Painting: The Changing Concept of Drawing and its Significance in Early Modern England," New History (新史學), 21:4 (Dec. 2010), pp. 57-139. (in Chinese)
2009
"Publishing the Raphael Cartoons and the Rise of Art-historical Consciousness in England, 1707-1764," The Historical Journal (Cambridge, UK), 52:4 (2009), pp. 899-920.
2008
DPhil Thesis: Towards the Construction of an Artistic Canon: Publishing Painting in England, c.1660-1760s.
Courses
MA courses:
Special Topics on Seventeenth-Century European Art
Special Topics on Eighteenth-Century Art
History of Art Collecting and Display in Europe
Special Topics on Print Culture
Art History Theories and Methods
Special Topics on British Art and Society
Undergraduate Courses:
Introduction to Arts and Visual Culture
Visual Arts - Western Arts
History of Western Art II
Art and Society
Art Museums in History and Practice
Special Topics on Seventeenth-Century European Art
Special Topics on Eighteenth-Century Art
History of Art Collecting and Display in Europe
Special Topics on Print Culture
Art History Theories and Methods
Special Topics on British Art and Society
Undergraduate Courses:
Introduction to Arts and Visual Culture
Visual Arts - Western Arts
History of Western Art II
Art and Society
Art Museums in History and Practice