|
|
|
1930 ¦~¥NªF¨È¶W²{¹êøµeªº¦@¬Û»P¥ÍÅÜ ¡X¡X¥H»OÆW¡B¤¤°êµe·|¬°¥Dªº¤ñ¸û¦Ò¹î |
The Diversification of Surrealistic Paintings in East Asia during the 1930s: A Study of Art Associations in Taiwan and China |
/ ½²®a¥C Chia-Chiu Tsai |
|
ÃöÁä¦r¡G¶W²{¹ê¥D¸q¡B¶W²{¹êøµe¡B¿W¥ß¬ü³N¨ó·|¡B·s¿³¬vµe·|¡B ªñ¥NªF¨È¬ü³N¥v |
¡· ÂI¾\¡G20 ¡¿ ¤U¸ü¡G66 |
|
ÀɮפU¸ü¡G1930 ¦~¥NªF¨È¶W²{¹êøµeªº¦@¬Û»P¥ÍÅÜ .pdf |
|
|
1930¦~¥N¶W²{¹êøµe¸g¥Ñ¤é¥»¶Ç¤JªF¨È¡A¦b¥D¬yµe¾Â¦p¾èªá¤@²{¡A©µÄò¦Ü²Ä¤G¦¸¥@¬É¤j¾Ô«á¡C¥»¤å±´°Q1930¦~¥N¸Óøµe±q¤é¥»¼vÅT»OÆW¡B¤¤°ê¡A³Q¤£¦Pµ{«×¦aÂàĶ¡B³Ð§@ªº±¡§Î¡A»¡©ú¦p¦¹¥ÍÅܪº¹Lµ{¡A«ä¦Ò¨ä»PªF¨È¬ü³N¡BªÀ·|µo®iªºÃö«Y¡C¨Ò¦p¡A¨ü¤é¥»¿W¥ß¬ü³N¨ó·|¨Ó»O®iÄý¨ë¿E¡A¦b»O¤é¤Hµe®a¤s¤UªZ¤Ò¡B®á¥Ð³ß¦nµ¥¤H¦¨¥ß·s¿³¬vµe·|¡A³Ð§@¨ã¶W²{¹êµe·ªº§@«~¡C¥L̪º³Ð§@»P·Q¹³¬Ý¦ü¤Ñ°¨¦æªÅ¡A¹ê«hÂà¤Æ¤F¦a¤è¦âªº¹Ï¹³¡C»O¶§¬ü³N¨ó·|ªºµe®a̱¹ï¦¹³Ð§@·¼é¬Ý¦ü¯Ê®u¡A¥ç©Î¦³©Òĵı©Ê§Ü©Úªº«º¶Õ¡A¦P¼Ëȱo¬Ù«ä¡C¤¤°êµe®a¦¨¥ß¤¤µØ¿W¥ß¬ü³N¨ó·|¡A¬Û·í¿n·¥¦a±q¨Æ½Ķ»P³Ð§@¡AÂǦ¹¶D»¡§ï²µe¾Âªº¶¯¤ß§§§Ó¡C
ÀHµÛ¦¹¤è±ªº°ò¦¬ã¨s³vº¥¸É¨¬¡A´£¨Ñ¤F¥H§ó¥þ±ªºµø³¥«ä¦Ò»OÆW»Pªñ¥NªF¨È¬ü³N¥vªº¾÷·|¡C¥»¤åº¥ý²zªF¨È¶W²{¹êøµeªº½Ï¥Í¡A¦^ÅU¥Ø«eªº¬ã¨s¦¨ªG¡A´£¥X¬ã¨s¤Wªº°ÝÃD·NÃÑ¡C¨ä¦¸¡A¤ÀªR¸Óøµe¦b§@«~®i¥Ü»P²z½×ÂàĶªº¹Lµ{¡A¨Ã¥B±´°Q³Ð§@·®æ¡B¹Ï¹³ªº¦@¬Û©M®t²§¡C¦b¦¹°ò¦¤W¡A¶i¦Ó±q30¦~¥NªF¨È¬ü³N»PªÀ·|ªº²{¹ê±¡A«ä¦Ò²£¥Í¦p¦¹¥ÍÅܪº½t¥Ñ¡C |
|
|
|
|
|
|
|
|
»OÆW¿ý¹³ÃÀ³Nªº¹q¼v©Ê¡G ½×°K¼s»ï»P¤ý«T³Ç§@«~¦Û¤KÆâ¦~¥N¨´¤µªº¤TӳЧ@®É´Á¤ÎÂàÅÜ |
The ¡§Cinematic¡¨ of the Taiwanese Video Art: On the Three Periods and the Transformations of the Works of Yuan Goang-Ming and Wang Jun-Jieh from the 1980s to the Present |
/ ®]ªQºa Song-Yong SING |
|
ÃöÁä¦r¡G¿ý¹³ÃÀ³N¡B°K¼s»ï¡B¤ý«T³Ç¡B¹q¼v©Ê¡B¥tÁl¼v¹³¡B¼v¹³ÃÀ³N |
¡· ÂI¾\¡G25 ¡¿ ¤U¸ü¡G94 |
|
ÀɮפU¸ü¡G»OÆW¿ý¹³ÃÀ³Nªº¹q¼v©Ê.pdf |
|
|
»OÆW¿ý¹³ÃÀ³Nµo®i¨´¤µ¹O¤T¤Q¦h¦~¡A±q¿ý¹³¦æ¬°ªíºt¡B¿ý¹³ÀJ¶ì¡B¿ý¹³¸Ë¸m¡A¨ì³æÀW¹D¿ý¹³µ¥§ÎºA¡A§O¨ã¯S¦â¡C°K¼s»ï»P¤ý«T³Ç¤D¬O·í¤¤ªº¥ýÅXªÌ¡A³Ð§@¦Ü¤µ¤´¤£½ù¡C³o¨â¦ìÃÀ³N®a~²§©ó¦P¥N³Ð§@ªÌªº§@«~ªí¼x¡A¦b©ó¨ä¿ý¹³ÃÀ³Nªº¹q¼v©Ê¤Q¤À¬ð¥X¡A¿W¾ð¤@¼m¡C
°ò¥»¤W¡A¦b¶W¹L¤T¤Q¦~ªº³Ð§@¥Í²P¤¤¡AÃö©ó°K¼s»ï»P¤ý«T³Ç¿ý¹³ÃÀ³Nªº¹q¼v©Ê¯S½è¡A¥i¤À§OÂǥѤTӮɴÁ§@¬°ÃöÁä¥Nªí¡G¤@¡A¥Ñ 1980 ¦~¥N¦Ü 1980 ¥½´Á¡A²`¨ü¹q¼v±Ò»Xªº¨â¦ì«C¦~ÃÀ³N®a¡A³z¹L»X¤Ó©_»P¾ß¬B¼v¹³©M¦è¤èÃÀ³N½×ÃD¹ï¸Ü¡A¨Ã»P¸ÑÄY«e«áªº«nªÀ·|»P¾ú¥v¨Æ¥ó®i¶}¿EÅG¡C¤G¡A¥Ñ 1980 ¦~¥N¥½´Á¦Ü 1990 ¦~¥N¤¤«á´Á¡A°K¼s»ï»P¤ý«T³Çªº¿ý¹³ÃÀ³N»P¹êÅç¹q¼v²£¥Í³sµ²¡A½l³y¸ó°ì¼v¹³²{¶H¡A¥B¦b¬D¾Ô¥D¬y¹q¼v»PÃÀ³N¹q¼v»ùÈ»P»yªk¤§»Ú¡A³Ð³y¤@ºØ¤¶©ó¿ý¹³ÃÀ³N»P¹êÅç¹q¼vªº¥tÁl¼v¹³¡C¤T¡A¥Ñ 1990 ¦~¥N¥½´Á¨´¤µ¡A¨â¦ìÃÀ³N®a±j½Õ¿Ä®û¦¡ªº¿ý¹³ÃÀ³N¡A®i²{¦Û¨»P¥@¬É¤§¶¡¡AIJ¤ÎÆ[µø¡B°O¾Ð¡B®a¶é¡B¦M¾÷¡B¨Åé¡B¦º¤`¡A¤D¦Ü¸ó¤å¤Æ»P¸óÃÀ³Nµ¥½×ÃDªº²`¨è«ä¿ë¡C
¤T¤Q¦h¦~¨Óªº¤TӮɴÁ¡A°K¼s»ï»P¤ý«T³Ç¿ý¹³ÃÀ³N¹ê½î¦b¾ú¥v¡B´C¤¶»P¬ü¾Çµ¥±¦V¤W¡AÅé²{±q¿ý¹³©Ê¡B¥tÁl©Ê¨ì¹q¼v©Êªºµo®i¶iµ{¡A¶i¤@¨B²`¤Æ·í¥N¿ý¹³ÃÀ³N§@¬°ªí²{Âø¶×»P¸ó°ì¡B«·s©w¦ì»Pºc«¬µ¥ªí¼xªº¼v¹³ÃÀ³N¡C |
|
|
|
|
|
|
|
|
ÃîqªZ¤Gªº¤¤°êªA¹¢¤k©Ê¹³ |
Images of Women in Chinese Dress by |
/ ¨à®qÂÈµÛ ªL©É§QĶ Kojima Kaoru Translated by Yi-Li Lin |
|
ÃöÁä¦r¡GÃîqªZ¤G¡B»Ç°Å¬Ü¡B¤¤°êªA¡BªF¬v½ì¨ý¡BªÚ¿· |
¡· ÂI¾\¡G11 ¡¿ ¤U¸ü¡G48 |
|
ÀɮפU¸ü¡GÃîqªZ¤Gªº¤¤°êªA¹¢¤k©Ê¹³ .pdf |
|
|
ÃîqªZ¤G¡]1867-1943¡^¤£¦ý¬O¤@¦ì³Ç¥Xªºªoµe®a¡A¤]¬OªF¨Ê¬ü³N¾Ç®Õ±Ð±Â¡A¨Ã´¿¥ô«Ò°ê®iÄý·|¤§¼f¬dû¡C±q 1915 ¦~°_¡A¥L´¿¦h¦¸©ó©x¤è®iÄý·|¤¤®i¥X¨µÛ¤¤°êªA¤k©Êªºµe§@¡C¥Ñ¤T«Ê 1917 ¦~Ãîq±Hµ¹¤ì¤Uüó¤Ó¦ªº«H¡A¥i±oª¾µe®a¹ï¤¤°ê¤å¤ÆªºÂQ©¹¡A¥H¤Î¹ï©ó´yø¨µÛ¤¤°êªA¦~»´¤k©Êªº·Qªk¡C
1920 ¦~¥N¡AÃîq®i¥X¼Æ´T°¼±¹³§@«~¡Aµe¤¤¤Hª«¬°¨µÛ¤¤°êªAªº¤é¥»¤k©Ê¡Aºc¹Ï«h°ò©ó¸q¤j§Q¤åÃÀ´_¿³¨v¹³¡C¨ä¤¤¥H¡mªF¬v¼Ò¼Ë¡n¡]1924¡^¡B¡mªÚ¿·¡n¡]1926¡^¡B¡m»Ç°Å¬Ü¡n¡]1927¡^³Ì¬°µÛ¦W¡C³z¹L³o¨Ç§@«~¡AÃîq¥ø¹Ï¿Ä¦XªF¤èºë¯«»P¦è¤èªoµe¶Ç²Î¡C
¡m»Ç°Å¬Ü¡n¬°ªQ¤U¥½¤T¦©ÒÁÊ¡A¦ý²{ª¬¤£©ú¡C¥Ñ²{¦³¤§·Ó¤ù¸ê®Æ¥iª¾¡A¦³¼Æ´TÃþ¦üªº§@«~´¿¸g®i¥X¡C¥Ñ«O¦s©óªQ¤U®aªº¬ÛÃö¸ê®Æ¡A¥H¤Î¨ä¥L¸ê®Æ¡A¥iª¾©ó«Ò®i¤¤®i¥Xªºì§@´¿¸g¹Lקï¡C³o»¡©ú¤F¬°¦ó½Ñ·Ó¤ù¤¤ªºµe§@¬Ý¨Ó¦³¬Û²§ªº²Ó¸`¡C§Ú»{¬°³o¨Ç©ó¤£¦P®iÄý¤¤ªº¬Û¦ü§@«~¡AÀ³¬O¦P¤@µe§@©ó¤£¦P¶¥¬qªº¼Ë»ª¡C
|
|
|
|
|
|
|
|